ecopayz出金方法

--> TOP The museum will reopen on 24 Jun. --> Closed --> Caretta Shiodome, Higashi-Shimbashi 1-8-2, Minato-ku, Tokyo | 03-6218-2500 Hours Tue - Sat 12:00 - 18:00 Closed --> ＊12:00-18:00 until further notice --> The only advertising museum in Japan. --> About us Plan your visit Facilities Museum calendar Group tour Apply for media coverage Exhibitions & Events Permanent exhibition Temporary exhibition Events Library Collections Notices & News releases Shop Access JP EN ( other ) Japanese Advertising History Japanese Advertising History Edo Period Edo Period Meiji Period Taisho Period Showa Period Edo Period1603〜1868 From the mid to late Edo period, popular culture was in full bloom. This was the time in which the roots of advertising could be found in the different approaches taken to ensure business prosperity. Documentation The Advertising Masterminds Timeline Popular nishiki-e works are practically fashion advertising! Three beautiful women grace the storefront of Echigoya. These gorgeous woodblock color prints express the flourishing business enjoyed by Echigoya, an Edo landmark. The kimono worn by each lady is of the latest design. Originally, nishiki-e prints were artworks for the common people. However, they also served as the equivalents of modern day fashion maga- zines and posters. These nishiki-e prints were presented to customers as giveaways during the New Year festivities. Surugacho Echigoya (Picture of a beautiful woman at the store) / by Utagawa Kunisada / Nishiki-e Introducing merchants with signboards and shop curtains! The hustle and bustle of the city became apparent during the Edo period. During this time, signboards graced the entrances of stores, acting as a visual mark for the offered busi- ness. The city overflowed with elabo- rate signboards including simple lettered signs, picture signboards and signs modeled after specific products that would immediately identify the nature of a business. Sakabayashi (cedar-leaf ball) Ink Brush Store Candy Shop Edokkos love their events! Various events and shows attracted the people of Edo. Advertisements played a major role in announcing performances, and hikifuda flyers and nishiki-e prints were popular for conveying the atmosphere of events. What’s more, large gatherings of people were ideal locations for advertising. Edo Meishou Zue “Yoshiwara” (Picture of Edo's famous Yoshiwara) / by Utagawa Hiroshige / Nishiki-e Shinto Daizou zu (Picture of newly arrived giant elephant) / by Utagawa Yoshitoyo / Nishiki-e Embedded ads in classic kabuki performances!? Handed down through generations of the Ichikawa Danjuro clan, Sukeroku Yukari no Edo Zakura is recognized as one of the eighteen best Kabuki plays. Throughout the performance appear the names of actual stores and products. The work itself is practically an early example of product placement. Sukeroku Yukari no Edo Zakura (Kabuki play) / by Toyohara Kunichika / Nishiki-e Flyer announcements, a revolutionary innovation for commerce! Hikifuda flyer advertising appeared as commercial activities became more energetic. The first hikifuda was introduced in Edo by Echigoya in 1683. Using hikifuda flyers, Echigoya advertised the fact that it was bringing a new “cash only, prices as listed” policy into play which in turn led to successful sales promotion. Marketing began in the Edo period!? Echigoya boosted its store sales with the consecutive introduction of revolutionary sales methods aimed at customers that started with its “cash only, prices as listed” policy and followed by price tags and on-the-spot tailoring. In “Manage- ment,” written by Peter Drucker, the author notes that marketing began in Japan at the hands of Mitsui Takatoshi, the founder of Echigoya. Mitsui Echigoya Koraibashi Store in Osaka (opened in1691) / Hikifuda flyer Playableadvertisements!? Esugoroku is a simple board game that was popular with the common folk. Featuring shops and products, these advertising games were giveaways that were well-accepted by customers. In short, they were clever playable advertisements made available in a form similar to today’s game applications. Sugoroku board game of popular Edo products / by Ichiuntei Yasuhide (illustrator) and Goryutei Tokusho (author) Popular entertainers were as influential then as they are today! An ukiyo-e print of kabuki actors Ichikawa Danjuro VII and Iwai Shijaku standing at intermission with a large sign advertising Edoko and Kotoko tooth powders as they extol the virtues of the product. Much like today’s social media advertising, the performers promoted word-of-mouth mar-keting as evidenced by the printed phrase “Please try it and tell your friends all about it.” Edoko and Kotoko tooth powders / by Utagawa Toyokuni / Nishiki-e Posters and comics were popular starting around this time!? Remarkable advances in wood block printing techniques boosted publishing. The brightly colored nishiki-e prints, a specialty of Edo, and the illustrated novels and kusazoshi style illustrated pulp books (referred to as “comics” today) were popular with the masses. These were produced and handed out as giveaways by various shops. Enshi Jurokujosen Joriken (Kenbishi sake) / by Utagawa Kuniyoshi / Nishiki-e Ise Meibutsu Kayokamikaze by Shikitei Sanba (author), Utagawa Kuninao (illustrator) / Keibutsuhon / Kibyoshi --> Cross-media marketing in Edo: Senjoko Senjoko is a white face powder that was first sold in the Kyobashi district of Edo. It is known as one of the most effectively advertised products marketed in a variety of media. The product appears in the text of kusazoshi style illustrated pulp books and casually drawn into nishiki-e prints. What’s more, Senjoko even appeared in a senryu (comic haiku) verse. Hatsuyuki ya (First Snow)(with Senjoko face powder ad) / by Keisai Eisen / Nishiki-e --> Hatsuyuki ya (First Snow) (with Senjoko face powder ad) / by Keisai Eisen / Nishiki-e Bando Mitsugoro IV (with Senjoko face powder ad) / Nishiki-e Chic and stylish for business promotion! The Advertising Masterminds Japan’s first copywriter and recognized genius Hiraga Gennai (1728–1779) An extraordinary man of ideas and a natural scientist renowned for inventions such as the Erekiteru electrostatic generator. His outstanding copy for the hikifuda flyer advertisement of Sosekiko, a boxed tooth polish powder, influenced the expression of other creators and completely changed the world of hikifuda advertising. Sosekiko tooth powder, from the Hikarakuyo collection of hikifuda flyers Pharmacist, kokkeibon (humorous book) writer and advertising creator Shikitei Sanba (1776–1822) Known on one hand as the comic novel writer of works such as Ukiyoburo (The Bathhouse of the Floating World), he was a man who also had a talent in business, launching the successful sales of Edonomizu face lotion and Senpoenjutan over-the-counter remedy. Working on advertising together with his son, Kosanba, he showed first-class talent as a creator as well. Picture of Shikitei Sanba's store, from Nyobo Katagi Otsunaen Musubi / Kibyoshi Nigiwa Shikitei Saiwai Banashi by Shikitei Kosanba / Kibyoshi / Keibutsuhon for Edonomizu face lotion A prolific talent promoter and trailblazing producer Tsutaya Juzaburo (1750–1797) In this day and age, he would be referred to as the owner of a publishing house. His keen eye for talent led to the discovery and introduction of popular writers for kusazoshi style illustrated pulp books and ukiyo-e artists. He mentored several artists and writers including Santo Kyoden, Kitagawa Utamaro, and Toshusai Sharaku. The Tsutaya Storefront, from Ehon Azuma Asobi (Illustrated Book of Outings in Edo) (Owned by the Tobacco & Salt Museum) Japan’s first professional writer and creator of hikifuda flyers and book illustrations --> Japan’s first professional writer and creator of hikifuda flyers and book illustrations Jippensha Ikku (1765–1831) Kokkeibon (humorous book) writer known for his highly popular bestsellers, Tokaidochu Hizakurige (Shank’s Mare) and the Shokoku Dochu Kanenowaraji (travel guide). He is said to be Japan’s first professional writer who made a living solely from his writing income. Known for his diverse talents, he is also recognized for his work in hikifuda f lyers and book illustrations. The Millet Sweet Shop in Echigo Takada, from Shokoku Dochu Kanenowaraji (travel guide) / Kibyoshi A multifaceted creator with a flair for design Santo Kyoden (1761–1816) A leading cultural figure in the Edo period and a talented writer of kibyoshi illustrated books and sharebon plots centered around pleasure districts. He also owned a shop in Edo’s Kyobashi district and was a multi-talented creator who designed an original paper-made tobacco case. Onnatsu Tabakoire shinajina (Tobacco pouches for summer) / Picture of Santo Kyoden's store / Nishiki-e Timeline 1603(Keicho8) Shogun Tokugawa Ieyasu moves the capital to Edo 1615(Genna1) Introduction of a prototype newspaper—kawaraban (tile block print) one-page flyers—announcing the summer siege of Osaka 1616(Genna 2) Shop curtains and signs depicted in the folding screens of Scenes In and Around Kyoto (Funaki Version) show shop names and product names 1657(Meireki3) Following the Great Fire in Meireki, signboards compete for larger size and splendor 1665(Kanbun5) Publication of Kyo Suzume, a guide to Kyoto, eventually leads to the publication of Shonin Kaimono Hitori Annai (merchant’s guide) in 1819 1683(Tenna 3) The predecessor of Mitsukoshi department store, Echigoya, hands out hikifuda flyers proclaiming “cash only, prices as listed” 1713(Shotoku3) Ichikawa Danjuro II performs Sukeroku for the first time 1718(Kyoho3) Ichikawa Danjuro II performs Uiro Uri (The Medicine Peddler) from the kabuki play Verdant Green and the Energetic Soga. The vendor's delivery of his verbal advertisement is praised by audiences 1729(Kyoho14) An elephant from Vietnam arrives in Edo via Nagasaki for a show 1749(Kan’en 2) People gather to see the cherry blossoms at Nakanomachi in Yoshiwara (the start of promotional events in Japan) 1765(Meiwa 2) Suzuki Harunobu produces the first full-color wood block prints known as nishiki-e 1769(Meiwa 6) Hiraga Gennai writes the hikifuda flyer advertisement for Sosekiko 1792(Kansei 4) A kibyoshi illustrated book written by Santo Kyoden is handed out to customers as a keibutsuhon (commemorative book) for the opening of lip rouge wholesaler Tamaya 1794(Kansei 6) Hirou Kami, the first collection of advertising copy, is published by Santo Kyoden and Honzentei Tsubohira 1800(Kansei 12) Keibutsuhon, hikifuda flyers and various types of signboard advertising become popular 1802(Kyowa 2) First volume publication of Jippensha Ikku’s Tokaidochu Hizakurige (Shank’s Mare) 1824(Bunsei 7) Edo Kaimono Hitori Annai is published 1845(Koka 2) The Ame-katsu candy vendor’s cry becomes popular in Osaka 1867(Keio 3) Official participation in the Paris World’s Fair (Exposition Universelle) / The first Japanese advertisement appears in the third issue of Bankoku Shinbunshi, a Japanese newspaper published by a foreigner / The restoration of imperial rule 1868(Keio 4) The fall of Edo / The period name is changed to Meiji The Ad Museum Tokyo is managed by Yoshida Hideo Memorial Foundation Site Policy Copyright. The Ad Museum Tokyo All Rights Reserved. -->